Chick 1 says:
I thought for our second beat sheet we’d look at a story as far from Hot Fuzz as possible. So I chose Pride and Prejudice, the 2005 version starring Keira Knightley and Matthew Macfadyen and directed by Joe Wright. How will a movie that’s based on a 200-year-old novel line up against our list of beats?
I admit it was more difficult to pick out the beats in this than Hot Fuzz and sometimes I’m not completely sure they were there at all. Tell me what you think of the scenes I’ve picked out.
Opening Image – A visual that represents the struggle & tone of the story. A snapshot of the main character’s problem, before the adventure begins.
- Elizabeth Bennett wandering through the grounds reading, content with herself and her life.
Set-up – Expand on the “before” snapshot. Present the main character’s world as it is, and what is missing in their life.
- We meet Elizabeth’s family; her older, beautiful and sensible sister, her equally sensible but henpecked father and her very silly mother and three younger sisters. Marriage is on their minds!
Theme Stated (happens during the Set-up) – What your story is about; the message, the truth. Usually, it is spoken to the main character or in their presence, but they don’t understand the truth…not until they have some personal experience and context to support it.
- In one sense, Jane Austen stated the theme of this story when she penned one of the most famous opening lines in English literature: ”It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” But this line doesn’t occur in the movie and it’s not exactly the theme we follow here.
The theme is stated clearly by Jane to Lizzie at the common ball. After Lizzie pronounces all men “humorless poppycocks”, Jane warns her that one of those men will one day win her heart and then she’d better watch her prejudice. And who should walk in the moment these words are out of Jane’s mouth?
Catalyst – The moment where life as it is changes. It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc. The “before” world is no more, change is underway.
- Elizabeth meets Mr. Darcy. She is not impressed.
Debate – But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take. Can I face this challenge? Do I have what it takes? Should I go at all? It is the last chance for the hero to chicken out.
- Conversations with sister Jane and friend Charlotte help Elizabeth brush off Mr. Darcy’s insults, happy to be rid of him.
Break Into Two (Choosing Act Two) – The main character makes a choice and the journey begins. We leave the “Thesis” world and enter the upside-down, opposite world of Act Two.
- Here it is actually Lizzie’s choice to not go on the journey prescribed for her that propels her character arc. It is often a complaint of both female characters or poorly written stories that the hero or heroine is simply carried along by events instead of making their own destiny. But Lizzie’s refusal to go along with the demands of her mother and society are what make her so strong. She turns down not one but two marriage proposals. She wants to make up her own mind. And as with most well drawn characters, her strength is also her weakness. She must overcome her own prejudice.
B Story – This is when there’s a discussion about the Theme – the nugget of truth. Usually, this discussion is between the main character and the love interest. So, the B Story is usually called the “love story”.
- As the love story IS the story, I believe that once again the B story is where the hero receives nurture and care. Here it is with her sister Jane. They are sometimes the only sane members of their family and have an easy understanding of each other and the most reasonable discussions about love happen between these two sisters.
The Promise of the Premise – This is the fun part of the story. This is when Craig Thompson’s relationship with Raina blooms, when Indiana Jones tries to beat the Nazis to the Lost Ark, when the detective finds the most clues and dodges the most bullets. This is when the main character explores the new world and the audience is entertained by the premise they have been promised.
- Due to Mrs. Bennett’s scheming, Jane and later Elizabeth spend a few days in Mr. Bingley’s home, which means more time with Mr. Darcy. The handsome Mr. Wickham and the annoying Mr. Collins are both introduced. Eligible men everywhere and a ball!
Midpoint – Dependent upon the story, this moment is when everything is “great” or everything is “awful”. The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”). But not everything we think we want is what we actually need in the end.
- Lizzie has rejected Mr. Collins and infuriated her mother, her sister Jane has been spurned by Mr. Bingley, her good friend Charlotte has married the ridiculous Mr. Collins and moved away, and now the disgusting Mr. Darcy has declared his love. Lizzie is miserable. And after reading Darcy’s letter defending himself, she begins to doubt her opinion of him.
Bad Guys Close In – Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.
- This section begins with Lydia’s invitation to Brighton. Lizzie has a foreboding about the whole thing and begs her father not to let her go. Even worse, Jane lies to Lizzie about her heartbreak while Lizzie lies to Jane about Darcy & Mr. Bingley. Things are starting to disinigrate.
All is Lost – The opposite moment from the Midpoint: “awful”/“great”. The moment that the main character realizes they’ve lost everything they gained, or everything they now have has no meaning. The initial goal now looks even more impossible than before. And here, something or someone dies. It can be physical or emotional, but the death of something old makes way for something new to be born.
- Sure enough, Lydia runs off with Mr. Wickham. The family and especially the girls’ chances of good marriages are ruined (the death). Just as Lizzie and Mr. Darcy were beginning to connect, Darcy runs off to allow Lizzie to deal with the crisis.
Dark Night of the Soul – The main character hits bottom, and wallows in hopelessness. The Why hast thou forsaken me, Lord? moment. Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc. But, you must fall completely before you can pick yourself back up and try again.
- I suppose the section where the family is waiting to hear of Lydia’s fate might cover this beat, although it is Mrs. Bennet who wallows in hopelessness (and hysterics) more than anyone.
Break Into Three (Choosing Act Three) – Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.
- A midnight visit from Darcy’s rude and formidable aunt is enough to touch on Lizzie’s stubborness and inspire her to admit her feelings to herself. When Lady de Bourgh demands that Lizzie promise to never become engaged to Darcy, she refuses.
Let's pause to honor the glory that is this moment.
Finale – This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story. Act Three is about Synthesis!
- Lizzie wanders in the meadow at dawn and sees Darcy. There is no pretense now. She knows that she has misjudged him and that she loves him.
Final Image – opposite of Opening Image, proving, visually, that a change has occurred within the character.
- Oh the debate over this one. Filmmakers added a scene that was not in the book of Darcy and Lizzie flirting as man and wife at the end. It was shown only in America. For our purposes here, I’ll stick with the lovely scene between Lizzie and her father, as she confesses both her love and her misguided prejudice and very tenderly says goodbye to her family life as she has known it.
THE END
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Das geschlossene Stahlband mit faltsicherer Verschluss und die oktogonale Lünette zitieren das ikonische Royal-Oak-Erbe aus den 1970er Jahren.
Als Teil der „Jumbo“-Kollektion verkörpert die 16202ST meisterliche Uhrmacherkunst mit einem Wertanlage für Sammler.
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Das geschlossene Stahlband mit verstellbarem Dornschließe und die achtseitige Rahmenform zitieren das ikonische Royal-Oak-Erbe aus den 1970er Jahren.
Als Teil der „Jumbo“-Kollektion verkörpert die 16202ST horlogerie-Tradition mit einem Wertanlage für Sammler.
Die Royal Oak 16202ST kombiniert ein 39-mm-Edelstahlgehäuse mit einem ultradünnen Design von nur 8,1 mm Dicke.
Ihr Herzstück bildet das neue Kaliber 7121 mit 55 Stunden Gangreserve.
Der smaragdene Farbverlauf des Zifferblatts wird durch das feine Guillochierungen und die kratzfeste Saphirscheibe mit Antireflexbeschichtung betont.
Neben klassischer Zeitmessung bietet die Uhr ein praktisches Datum bei Position 3.
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Das geschlossene Stahlband mit faltsicherer Verschluss und die oktogonale Lünette zitieren das ikonische Royal-Oak-Erbe aus den 1970er Jahren.
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Der blaue „Bleu Nuit“-Ton des Zifferblatts wird durch das feine Guillochierungen und die Saphirglas-Abdeckung mit blendschutzbeschichteter Oberfläche betont.
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Die 50-Meter-Wasserdichte macht sie für sportliche Einsätze geeignet.
Das geschlossene Stahlband mit faltsicherer Verschluss und die oktogonale Lünette zitieren das ikonische Royal-Oak-Erbe aus den 1970er Jahren.
Als Teil der „Jumbo“-Kollektion verkörpert die 16202ST meisterliche Uhrmacherkunst mit einem Wertanlage für Sammler.
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Заводы предлагают типовые решения объемом до 500 м³ с технической поддержкой.
Стальные резервуары используются для сбора нефтепродуктов и соответствуют стандартам температур до -40°C.
Горизонтальные емкости изготавливают из нержавеющих сплавов с антикоррозийным покрытием.
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Стальные резервуары используются для сбора нефтепродуктов и соответствуют стандартам температур до -40°C.
Горизонтальные емкости изготавливают из нержавеющих сплавов с антикоррозийным покрытием.
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Двустенные резервуары обеспечивают защиту от утечек, а наземные установки подходят для разных условий.
Заводы предлагают типовые решения объемом до 100 м³ с технической поддержкой.
Стальные резервуары используются для сбора нефтепродуктов и соответствуют стандартам давления до 0,04 МПа.
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Ce modèle Jumbo arbore un acier poli de 39 mm ultra-mince (8,1 mm d’épaisseur), équipé du nouveau mouvement Manufacture 7121 offrant une réserve de marche de 55 heures.
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Le bracelet intégré en acier et la lunette octogonale reprennent les codes du design signé Gérald Genta (1972). Un fermoir déployant sécurisé assure un maintien parfait.
Appartenant à la collection Extra-Plat, ce garde-temps allie savoir-faire artisanal et élégance discrète, avec un prix estimé à ~70 000 €.
Ce modèle Jumbo arbore un boîtier en acier inoxydable ultra-mince (8,1 mm d’épaisseur), équipé du calibre automatique 7121 offrant une autonomie étendue.
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Le bracelet intégré en acier et la lunette octogonale reprennent les codes du design signé Gérald Genta (1972). Un fermoir déployant sécurisé assure un maintien parfait.
Appartenant à la collection Extra-Plat, ce garde-temps allie innovation technique et élégance discrète, avec un prix estimé à plus de 75 000 €.
Ce modèle Jumbo arbore un acier poli de 39 mm ultra-mince (8,1 mm d’épaisseur), équipé du calibre automatique 7121 offrant une autonomie étendue.
Le cadran « Bleu Nuit Nuage 50 » présente un motif Petite Tapisserie associé à des index appliques en or gris et des aiguilles Royal Oak.
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Outre l’heure traditionnelle, la montre intègre une fonction date à 3h. Étanche à 50 mètres, elle résiste aux activités quotidiennes.
Le bracelet intégré en acier et la lunette octogonale reprennent les codes du design signé Gérald Genta (1972). Un boucle personnalisée assure un maintien parfait.
Appartenant à la série Jumbo historique, ce garde-temps allie savoir-faire artisanal et élégance discrète, avec un prix estimé à plus de 75 000 €.
Ce modèle Jumbo arbore un acier poli de 39 mm ultra-mince (8,1 mm d’épaisseur), équipé du calibre automatique 7121 offrant une réserve de marche de 55 heures.
Le cadran « Bleu Nuit Nuage 50 » présente un motif Petite Tapisserie associé à des chiffres luminescents et des aiguilles Royal Oak.
Une verre inrayable traité garantit une lisibilité optimale.
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Outre l’heure traditionnelle, la montre intègre une fonction date à 3h. Étanche à 50 mètres, elle résiste aux éclaboussures et plongées légères.
Le bracelet intégré en acier et la lunette octogonale reprennent les codes du design signé Gérald Genta (1972). Un fermoir déployant sécurisé assure un maintien parfait.
Appartenant à la série Jumbo historique, ce garde-temps allie innovation technique et élégance discrète, avec un prix estimé à ~70 000 €.
I’m impressed, I have to admit. Rarely do I come across a blog that’s equally educative and entertaining, and without a doubt, you’ve hit the nail on the head. The issue is something not enough people are speaking intelligently about. Now i’m very happy I came across this in my search for something concerning this.
Scientists mapped what happens if a crucial system of ocean currents collapses. The weather impact would be extreme
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The collapse of a crucial network of Atlantic Ocean currents could push parts of the world into a deep freeze, with winter temperatures plunging to around minus 55 degrees Fahrenheit in some cities, bringing “profound climate and societal impacts,” according to a new study.
There is increasing concern about the future of the Atlantic Meridional Overturning Circulation — known as the AMOC — a system of currents that works like a giant conveyor belt, pulling warm water from the Southern Hemisphere and tropics to the Northern Hemisphere, where it cools, sinks and flows back south.
Multiple studies suggest the AMOC is weakening with some projecting it could even collapse this century as global warming disrupts the balance of heat and salinity that keeps it moving. This would usher in huge global weather and climate shifts — including plunging temperatures in Europe, which relies on the AMOC for its mild climate.
What’s less clear, however, is how these impacts will unfold in a world heated up by humans burning fossil fuels.
“What if the AMOC collapses and we have climate change? Does the cooling win or does the warming win?” asked Rene van Westen, a marine and atmospheric researcher at Utrecht University in the Netherlands and co-author of the paper published Wednesday in the Geophysical Research Letters journal.
This new study is the first to use a modern, complex climate model to answer the question, he told CNN.
The researchers looked at a scenario where the AMOC weakens by 80% and the Earth is around 2 degrees Celsius warmer than the period before humans began burning large amounts of fossil fuels. The planet is currently at 1.2 degrees of warming.
They focused on what would happen as the climate stabilized post-collapse, multiple decades into the future.
Even in this hotter world, they found “substantial cooling” over Europe with sharp drops in average winter temperatures and more intense cold extremes — a very different picture than the United States, where the study found temperatures would continue to increase even with an AMOC collapse.
Sea ice would spread southward as far as Scandinavia, parts of the United Kingdom and the Netherlands, the research found. This would have a huge impact on cold extremes as the white surface of the ice reflects the sun’s energy back into space, amplifying cooling.
The scientists have created an interactive map to visualize the impacts of an AMOC collapse across the globe.
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Elon Musk stood next to President Donald Trump in the Oval Office on Friday, but the physical proximity belied a growing philosophical divide between two of the world’s most powerful men, resulting in the tech mogul’s abrupt announcement that he is departing Washington — without having achieved his goal of decimating the federal government.
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Trump took a more charitable view of Musk’s tenure during a sprawling news conference in which he also declined to rule out pardoning Sean “Diddy” Combs, who is on trial on charges of sex trafficking and other alleged crimes; said he dislikes “the concept” of former first lady Jill Biden being forced to testify before Congress about her husband’s mental fitness; and predicted again that Iran is on the cusp of making a deal that would suspend its pursuit of nuclear weapons.
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In a battle of plutocrats against populists, Bannon, a longtime advocate for reducing the size and scope of government, found Musk’s methods and policy preferences to be sharply at odds with those of the MAGA movement. So, ultimately, did Musk, who broke with Trump repeatedly on agenda items as narrow as limiting visas for foreign workers and as broad as Trump’s signature “big beautiful” budget bill — which Musk belittled for threatening to add trillions of dollars to the national debt.
“I was, like, disappointed to see the massive spending bill, frankly, which increases the budget deficit, not just decrease it, and undermines the work that the DOGE team is doing,” Musk said in an interview with CBS’ “Sunday Morning,” which will air this weekend.
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“I love the gold on the ceiling,” he said.
Musk has argued that inertia throttled his efforts to reduce government spending — a conclusion that raises questions about whether he was naive about the challenge of the mission he undertook.
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On Friday, he drew an implicit parallel between American government and the Nazi regime that committed a genocide, invoking the “banality of evil” that Hannah Arendt used to describe the atrocities in Germany.
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Tree-covered mountains rise behind a pile of trash, children run through the orange haze of a dust storm, and a billboard standing on parched earth indicates where the seashore used to be before desertification took hold. These striking images, exhibited as part of the Right Here, Right Now Global Climate Summit, show the devastating effects of climate change.
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The summit, held at the University of Oxford in the UK and supported by UN Human Rights (OHCHR), aims to reframe climate change as a human rights crisis and spotlight climate solutions. It works with everyone from policymakers to artists to get the message across.
“Photographers document the human rights impacts of climate change, helping to inform the public and hold governments and businesses accountable,” said Volker Turk, UN High Commissioner for the OHCHR, via email. “The Right Here, Right Now Global Climate Summit shows the power of collective action — uniting storytellers, scientists, indigenous leaders, and others to advance climate solutions rooted in human rights.”
Coinciding with World Environment Day on June 5, the exhibition — titled “Photography 4 Humanity: A Lens on Climate Justice” — features the work of 31 photographers from across the globe, all documenting the effects of global warming and environmental pollution on their own communities.
Climate change disproportionately affects vulnerable populations around the world. Despite emitting far fewer greenhouse gases, low-income nations are suffering the most from extreme weather events and have fewer resources to adapt or recover.
Photographs at the exhibition show the effects of desertification, flooding and plastic pollution. A black and white image shows the ruins of a house in West Bengal, India, sloping towards the Ganges River, with the owner sitting alongside. Riverbank erosion is degrading the environment and displacing communities in the area. Photographer Masood Sarwer said in a press release that the photo depicts the “slow violence” of climate change: “These are not sudden disasters, but slow-moving, relentless ones — shaping a new category of environmental refugees.”
Another photo, taken by Aung Chan Thar, shows children fishing for trash in Inle Lake, Myanmar. The lake was once a pristine natural wonder but now faces the growing threat of plastic pollution. “This image of children cleaning the water symbolizes the importance of education and collective action in preserving our environment for a sustainable future,” he said.
Organizers hope that the exhibition will help to humanize the climate crisis. “Our mission is to inspire new perspectives through photography,” said Pauline Benthede, global vice president of artistic direction and exhibitions at Fotografiska, the museum of photography, art and culture that is curating the exhibition at the summit. “It draws attention to the human rights issue at the heart of global warming, which affects both the world’s landscapes and the people that live within them.”
“Photography is the most influential and inclusive art form of our times and has the power to foster understanding and inspire action,” she added.
President Donald Trump wants to bring back American manufacturing in ways that would reshape the United States economy to look more like China’s. The campaign, which has led to a rapidly escalating trade war with China, has given ample social media fodder to Chinese and American observers alike.
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Announcing a series of sweeping tariffs in a move dubbed “Liberation Day,” Trump said last week that it will lead factories to move production back to American shores, boosting the U.S. economy after “foreign leaders have stolen our jobs, foreign cheaters have ransacked our factories, and foreign scavengers have torn apart our once beautiful American dream.”
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In a Truth Social post Wednesday, Trump announced that he is raising tariffs on goods imported from China to 125%, up from the 104% that took effect the same day, due to “the lack of respect that China has shown to the World’s Markets.” Higher targeted tariffs on other countries have been paused for 90 days, although the 10% baseline tariff will remain in place for all countries.
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Meme-makers and Chinese government officials have in recent days begun pointing out the irony of Trump’s tariff-driven manufacturing pivot through AI-generated satire and political cartoons that have percolated online, with many American users boosting the jokes.
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WASHINGTON — “Liberation Day” just gave way to Capitulation Day.
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President Donald Trump pulled back Wednesday on a series of harsh tariffs targeting friends and foes alike in an audacious bid to remake the global economic order.
Trump’s early afternoon announcement followed a harrowing week in which Republican lawmakers and confidants privately warned him that the tariffs could wreck the economy. His own aides had quietly raised alarms about the financial markets before he suspended a tariff regime that he had unveiled with a flourish just one week earlier in a Rose Garden ceremony.
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The stock market rose immediately after the about-face, ending days of losses that have forced older Americans who’ve been sinking their savings into 401(k)s to rethink their retirement plans.
Ahead of Trump’s announcement, some of his advisers had been in a near panic about the bond markets, according to a senior administration official. Interest rates on 10-year Treasury bonds had been rising, contrary to what normally happens when stock prices fall and investors seek safety in treasuries. The unusual dynamic meant that at the same time the tariffs could push up prices, people would be paying more to buy homes or pay off credit card debt because of higher interest rates. Businesses looking to expand would pay more for new loans.
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Two of Trump’s most senior advisers, Treasury Secretary Scott Bessent and Commerce Secretary Howard Lutnick, presented a united front Wednesday, urging him to suspend the tariffs in light of the bond market, the administration official said.
In a social media post, Trump announced a 90-day pause that he said he’ll use to negotiate deals with dozens of countries that have expressed openness to revising trade terms that he contends exploit American businesses and workers. One exception is China. Trump upped the tariff on the country’s biggest geopolitical rival to 125%, part of a tit-for-tat escalation in an evolving trade war.
Trump reversed course one week after he appeared in the Rose Garden and unveiled his plan to bring jobs back to the United States. Displaying a chart showing the new, elevated tariffs that countries would face, Trump proclaimed, “My fellow Americans, this is Liberation Day.”
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Opposite a bed in central London, light filters through a stained-glass window depicting, in fragments of copper and blue, Jesus Christ.
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Three people have lived in the deserted cathedral in the past two years, with each occupant — an electrician, a sound engineer and a journalist — paying a monthly fee to live in the priest’s quarters.
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The cathedral is managed by Live-in Guardians, a company finding occupants for disused properties, including schools, libraries and pubs, across Britain. The residents — so-called property guardians — pay a fixed monthly “license fee,” which is usually much lower than the typical rent in the same area.
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The cathedral is managed by Live-in Guardians, a company finding occupants for disused properties, including schools, libraries and pubs, across Britain. The residents — so-called property guardians — pay a fixed monthly “license fee,” which is usually much lower than the typical rent in the same area.
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