Chick 1 says:
I thought for our second beat sheet we’d look at a story as far from Hot Fuzz as possible. So I chose Pride and Prejudice, the 2005 version starring Keira Knightley and Matthew Macfadyen and directed by Joe Wright. How will a movie that’s based on a 200-year-old novel line up against our list of beats?
I admit it was more difficult to pick out the beats in this than Hot Fuzz and sometimes I’m not completely sure they were there at all. Tell me what you think of the scenes I’ve picked out.
Opening Image – A visual that represents the struggle & tone of the story. A snapshot of the main character’s problem, before the adventure begins.
- Elizabeth Bennett wandering through the grounds reading, content with herself and her life.
Set-up – Expand on the “before” snapshot. Present the main character’s world as it is, and what is missing in their life.
- We meet Elizabeth’s family; her older, beautiful and sensible sister, her equally sensible but henpecked father and her very silly mother and three younger sisters. Marriage is on their minds!
Theme Stated (happens during the Set-up) – What your story is about; the message, the truth. Usually, it is spoken to the main character or in their presence, but they don’t understand the truth…not until they have some personal experience and context to support it.
- In one sense, Jane Austen stated the theme of this story when she penned one of the most famous opening lines in English literature: ”It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” But this line doesn’t occur in the movie and it’s not exactly the theme we follow here.
The theme is stated clearly by Jane to Lizzie at the common ball. After Lizzie pronounces all men “humorless poppycocks”, Jane warns her that one of those men will one day win her heart and then she’d better watch her prejudice. And who should walk in the moment these words are out of Jane’s mouth?
Catalyst – The moment where life as it is changes. It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc. The “before” world is no more, change is underway.
- Elizabeth meets Mr. Darcy. She is not impressed.
Debate – But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take. Can I face this challenge? Do I have what it takes? Should I go at all? It is the last chance for the hero to chicken out.
- Conversations with sister Jane and friend Charlotte help Elizabeth brush off Mr. Darcy’s insults, happy to be rid of him.
Break Into Two (Choosing Act Two) – The main character makes a choice and the journey begins. We leave the “Thesis” world and enter the upside-down, opposite world of Act Two.
- Here it is actually Lizzie’s choice to not go on the journey prescribed for her that propels her character arc. It is often a complaint of both female characters or poorly written stories that the hero or heroine is simply carried along by events instead of making their own destiny. But Lizzie’s refusal to go along with the demands of her mother and society are what make her so strong. She turns down not one but two marriage proposals. She wants to make up her own mind. And as with most well drawn characters, her strength is also her weakness. She must overcome her own prejudice.
B Story – This is when there’s a discussion about the Theme – the nugget of truth. Usually, this discussion is between the main character and the love interest. So, the B Story is usually called the “love story”.
- As the love story IS the story, I believe that once again the B story is where the hero receives nurture and care. Here it is with her sister Jane. They are sometimes the only sane members of their family and have an easy understanding of each other and the most reasonable discussions about love happen between these two sisters.
The Promise of the Premise – This is the fun part of the story. This is when Craig Thompson’s relationship with Raina blooms, when Indiana Jones tries to beat the Nazis to the Lost Ark, when the detective finds the most clues and dodges the most bullets. This is when the main character explores the new world and the audience is entertained by the premise they have been promised.
- Due to Mrs. Bennett’s scheming, Jane and later Elizabeth spend a few days in Mr. Bingley’s home, which means more time with Mr. Darcy. The handsome Mr. Wickham and the annoying Mr. Collins are both introduced. Eligible men everywhere and a ball!
Midpoint – Dependent upon the story, this moment is when everything is “great” or everything is “awful”. The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”). But not everything we think we want is what we actually need in the end.
- Lizzie has rejected Mr. Collins and infuriated her mother, her sister Jane has been spurned by Mr. Bingley, her good friend Charlotte has married the ridiculous Mr. Collins and moved away, and now the disgusting Mr. Darcy has declared his love. Lizzie is miserable. And after reading Darcy’s letter defending himself, she begins to doubt her opinion of him.
Bad Guys Close In – Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.
- This section begins with Lydia’s invitation to Brighton. Lizzie has a foreboding about the whole thing and begs her father not to let her go. Even worse, Jane lies to Lizzie about her heartbreak while Lizzie lies to Jane about Darcy & Mr. Bingley. Things are starting to disinigrate.
All is Lost – The opposite moment from the Midpoint: “awful”/“great”. The moment that the main character realizes they’ve lost everything they gained, or everything they now have has no meaning. The initial goal now looks even more impossible than before. And here, something or someone dies. It can be physical or emotional, but the death of something old makes way for something new to be born.
- Sure enough, Lydia runs off with Mr. Wickham. The family and especially the girls’ chances of good marriages are ruined (the death). Just as Lizzie and Mr. Darcy were beginning to connect, Darcy runs off to allow Lizzie to deal with the crisis.
Dark Night of the Soul – The main character hits bottom, and wallows in hopelessness. The Why hast thou forsaken me, Lord? moment. Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc. But, you must fall completely before you can pick yourself back up and try again.
- I suppose the section where the family is waiting to hear of Lydia’s fate might cover this beat, although it is Mrs. Bennet who wallows in hopelessness (and hysterics) more than anyone.
Break Into Three (Choosing Act Three) – Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.
- A midnight visit from Darcy’s rude and formidable aunt is enough to touch on Lizzie’s stubborness and inspire her to admit her feelings to herself. When Lady de Bourgh demands that Lizzie promise to never become engaged to Darcy, she refuses.
Let's pause to honor the glory that is this moment.
Finale – This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story. Act Three is about Synthesis!
- Lizzie wanders in the meadow at dawn and sees Darcy. There is no pretense now. She knows that she has misjudged him and that she loves him.
Final Image – opposite of Opening Image, proving, visually, that a change has occurred within the character.
- Oh the debate over this one. Filmmakers added a scene that was not in the book of Darcy and Lizzie flirting as man and wife at the end. It was shown only in America. For our purposes here, I’ll stick with the lovely scene between Lizzie and her father, as she confesses both her love and her misguided prejudice and very tenderly says goodbye to her family life as she has known it.
THE END
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娛樂城
線上賭場
台灣娛樂城/線上賭場（現金網）的特殊稱呼以及其歷史：
台灣對於線上賭場的特殊稱呼是「娛樂城/線上賭場（現金網）」。這種稱呼的背後有其原因，主要是因為線上賭場在台灣架設及經營是違法的。在早期經營線上博弈被抓的風險非常高，因此業者採用了「娛樂城」這樣的模糊代稱，以規避警方的注意。當時的網絡搜尋引擎尚未普及，這樣的代稱在一定程度上能夠達到避免被發現的效果。
台灣娛樂城/線上賭場的歷史可以分為幾個時期：
1. 網路未興盛時代：
- 現場賭場時期（1980年代）：賭博活動主要發生在實體賭場，包括家庭電話上的BB CALL呼叫器、六合彩、大家樂等方式。
- 電銷賭場時期（21世紀）：隨著手機的普及，人們開始使用手機進行博弈，主要包括中華職棒簽賭和六合彩等。
2. 線上博弈時期（2013年開始）：
- 網際網路普及後，原本的信用版博弈業者開始轉戰線上賭場（娛樂城），開啟了線上博弈的時代。
- 由於在台灣，線上賭場架設和經營是違法的，合法的線上賭場通常選擇在合法的國家進行架設。
- 開設線上賭場主要採用「現金儲值」的方式，以規避法律風險。玩家將現金兌換成賭資，進行投注。
3. 娛樂城商業模式的轉變：
- 早期的娛樂城業者往往將客服人員與金流（出入款）的職責綁在一起，
容易成為執法機關定罪的基礎。
- 現代的娛樂城業者開始將客服人員、金流服務商以及廣告行銷外包，以降低定罪風險。
- 由於遠端工作的普及以及區塊鏈技術的應用，未來娛樂城業者可能更加難以被追查，這也凸顯了博弈產業合法化的必要性。
娛樂城業者面臨的風險主要來自以下幾個方面：
- 架站主機：娛樂城業者通常在合法的國家進行架設，使執法機關難以從此方面下手追查。
- 客服人員：娛樂城業者可能在台灣設立辦公室提供客服服務，這也是執法機關可能進行搜索的目標之一。
- 金流（出入款）：娛樂城業者使用人頭帳戶進行金流操作，以規避監管機構的追蹤，但也存在風險。
- 行銷推廣：娛樂城業者需要進行廣告推廣來吸引玩家，行銷推廣方式也可能成為執法機關追查的一環。
娛樂城業者商業模式的轉變也反映了博弈產業的發展趨勢。隨著網路技術的成熟和商業模式的創新，博弈產業可能朝著合法化和監管的方向發展，以確保公信力、保護玩家權益並徵收相應的稅收。
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百家樂
百家樂（Baccarat）是一種撲克遊戲，也是賭場中常見的賭博遊戲之一。它起源於義大利，在15世紀傳入法國，並在19世紀盛行於英法等地。如今，百家樂是全球各地賭場中受歡迎的賭博遊戲之一，特別是在澳門的賭場中，百家樂賭桌的數量是全球賭場中最多的，下注金額和獲利也佔據著澳門賭場的領導地位。
玩法：
玩家可以下注莊家（Banker）或閒家（Player），並沒有限制。遊戲中使用8副撲克牌，洗牌後放在發派箱中。每局遊戲，莊家和閒家都會收到至少兩張牌，但不超過三張牌。第一和第三張牌發給閒家，第二和第四張牌發給莊家。根據補牌規則，可能需要再發一張牌給莊家或閒家。
點數計算方法：
在百家樂中，撲克牌的點數計算方法是：Ace牌算作1點，2到9的牌按其顯示的點數計算，10、J、Q和K的牌則算作0點（有些賭場可能將10點視為10點）。當所有牌的點數總和超過9時，只計算總數中的個位數。因此，8和9的牌點數總和為7點（8 + 9 = 17）。百家樂只計算撲克牌的個位數值，因此可能的最大點數是9點（例如，一張4和一張5的牌點數總和為9），最小點數是0點，也稱為baccarat（例如，一張10和一張Q的牌點數總和為20，只計算個位數，即0）。
投注：
玩家可以在莊家或閒家上下注，也可以下注和局（即最終點數一樣）。此外，玩家還可以下注莊對子或閒對子（即莊或閒首兩張牌相同）。在澳門的賭場中，還加入了「幸
運六」，玩家可以下注莊或閒是否能以6點取勝。
賠率：
如果下注莊家並且莊家贏，有兩種玩法可以選擇。第一種是買1賠0.95，即需要支付5%的佣金給莊家。第二種是「免佣百家樂」，贏1賠1，但如果莊家以6點取勝，則賠率為1賠0.5。下注閒家並且閒家贏，贏1賠1。下注和局，贏1賠8。下注莊對子或閒對子，贏1賠11。根據澳門賭場的「幸運六」賠率，以兩張牌的6點取勝為贏1賠12，以三張牌的6點取勝為贏1賠20。
機會率：
在百家樂中，下注莊家的期望值只有約1%左右的優勢，和大多數賭場遊戲相比相對較低。
結論
百家樂是一種簡單易懂的賭博遊戲，也是一個非常社交化的遊戲。在百家樂桌上，通常有一名荷官負責發牌和管理遊戲進程。玩家只需要在莊家、閒家或和局中選擇一方下注，然後觀察牌局結果。
百家樂的玩法優勢在於其遊戲節奏快速，且無需玩家做出複雜的決策。遊戲結果完全基於牌的發放和點數計算，使得玩家可以輕鬆參與，無需特別的技巧或策略。
此外，百家樂也因其高投注限制而聞名。在高額賭桌上，玩家可以下注巨額金額，使得這個遊戲成為富豪和高額賭徒的首選。然而，即使在小賭桌上，百家樂仍然吸引著許多玩家，因為它提供了一種緊張刺激的賭博體驗。
百家樂也具有一些特殊的傳統和儀式。例如，在一些賭場中，荷官會使用一把特殊的牌具，稱為百家樂靴（Baccarat Shoe），其中放有多副牌。這種做法旨在提高遊戲的公平性和隨機性。
總的來說，百家樂是一個受歡迎的賭博遊戲，不僅因其簡單易懂的規則，而且因其高投注限制和社交化的特性。無論是在實體賭場還是在網絡賭場，玩家都可以享受到這個刺激的遊戲，並期待著幸運女神的眷顧
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2024總統大選日期
2024總統大選日期：2024年1月13日 舉行投票，投票時間自上午8時起至下午4時止後進行開票。
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連署截止前 – 賴清德 VS 侯友宜 VS 柯文哲
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賴清德 國民黨
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2023年5月17日，民眾黨中央委員會正式公告提名柯文哲代表台灣民眾黨參與本屆總統選舉。
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娛樂城體驗金
娛樂城的崛起：探索線上娛樂城和線上賭場
近年來，娛樂城在全球范圍內迅速崛起，成為眾多人尋求娛樂和機會的熱門去處。傳統的實體娛樂城以其華麗的氛圍、多元化的遊戲和奪目的獎金而聞名，吸引了無數的遊客。然而，隨著科技的進步和網絡的普及，線上娛樂城和線上賭場逐漸受到關注，提供了更便捷和多元的娛樂選擇。
線上娛樂城為那些喜歡在家中或任何方便的地方享受娛樂活動的人帶來了全新的體驗。通過使用智能手機、平板電腦或個人電腦，玩家可以隨時隨地享受到娛樂城的刺激和樂趣。無需長途旅行或昂貴的住宿，他們可以在家中盡情享受令人興奮的賭博體驗。線上娛樂城還提供了各種各樣的遊戲選擇，包括傳統的撲克、輪盤、骰子遊戲以及最新的視頻老虎機等。無論是賭徒還是休閒玩家，線上娛樂城都能滿足他們各自的需求。
在線上娛樂城中，娛樂城體驗金是一個非常受歡迎的概念。它是一種由娛樂城提供的獎勵，玩家可以使用它來進行賭博活動，而無需自己投入真實的資金。娛樂城體驗金不僅可以讓新玩家獲得一個開始，還可以讓現有的玩家嘗試新的遊戲或策略。這樣的優惠吸引了許多人來探索線上娛樂城，並提供了一個低風險的機會，
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娛樂城推薦
娛樂城的崛起：探索線上娛樂城和線上賭場
近年來，娛樂城在全球范圍內迅速崛起，成為眾多人尋求娛樂和機會的熱門去處。傳統的實體娛樂城以其華麗的氛圍、多元化的遊戲和奪目的獎金而聞名，吸引了無數的遊客。然而，隨著科技的進步和網絡的普及，線上娛樂城和線上賭場逐漸受到關注，提供了更便捷和多元的娛樂選擇。
線上娛樂城為那些喜歡在家中或任何方便的地方享受娛樂活動的人帶來了全新的體驗。通過使用智能手機、平板電腦或個人電腦，玩家可以隨時隨地享受到娛樂城的刺激和樂趣。無需長途旅行或昂貴的住宿，他們可以在家中盡情享受令人興奮的賭博體驗。線上娛樂城還提供了各種各樣的遊戲選擇，包括傳統的撲克、輪盤、骰子遊戲以及最新的視頻老虎機等。無論是賭徒還是休閒玩家，線上娛樂城都能滿足他們各自的需求。
在線上娛樂城中，娛樂城體驗金是一個非常受歡迎的概念。它是一種由娛樂城提供的獎勵，玩家可以使用它來進行賭博活動，而無需自己投入真實的資金。娛樂城體驗金不僅可以讓新玩家獲得一個開始，還可以讓現有的玩家嘗試新的遊戲或策略。這樣的優惠吸引了許多人來探索線上娛樂城，並提供了一個低風險的機會，
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